![]() Not only can you edit your files, there are a number of basic processing options available, such as the ever-useful pitch shift, normalize, or change gain. Once you have found your desired file, there’s a lot you can do to tweak it, before ever starting up your sequencer. Another way to go is tag based browsing, also supported by AudioFinder. ![]() The search results can be sorted by time, size, samplerate, and many more categories, which can be a huge timesaver when dealing with large amounts of files. You can either browse your drives manually, or have AudioFinder crawl your system (or specific folders), creating a database with all your audio files, including metadata. At a stunning $ 69.95 (at the time of writing), AudioFinder does pretty much everything a good audio asset manager does. When I started at BOOM, Axel Rohrbach suggested Iced Audio’s Mac OS Software AudioFinder to me. As a novice sound designer, you probably won’t have an extra 900 bucks or so to spend, in addition to the speakers, microphones, recorders, computers, acoustic treatments and 200 other things you have to buy if you want to get serious in this business. (dos) When I first got started in sound design, and was setting up my, well, setup, I was shocked by the price of common audio asset management software. “BOOM sound designer David Osternacher talks about “AudioFinder”, a great software tool to find and organize your plethora of sound effects.
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